Need a white logo for a dark header, or a single-color version for a watermark? Recolor your logo instantly while keeping every transparent edge crisp.
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Almost every brand needs more than one version of its logo. A full-color mark looks great on white, but it disappears on a dark website header, a photo background, or a black T-shirt. That's why brand kits always include a white (knockout) version and a black version - and this tool creates them in one click.
The tool repaints every visible pixel of your logo with the color you choose, while preserving the original transparency and anti-aliased edges. For the cleanest result, start with a logo that already has a transparent background - if yours sits on a solid color, run it through the Background Remover first.
No. The original alpha channel is kept, so soft edges stay smooth on any background.
Yes - free, no sign-up, and processed entirely in your browser.
The Color Changer has two modes and one important checkbox. Picking the right combination is the difference between a crisp white logo and a grey smudge.
| Goal | Apply to | Preserve shading | Result |
|---|---|---|---|
| Solid white logo for dark backgrounds | Whole logo | Off | Every visible pixel #FFFFFF, smooth edges kept |
| Solid black logo for print and forms | Whole logo | Off | Every visible pixel #000000 |
| Single brand colour (embroidery, stamps) | Whole logo, Custom | Off | One flat colour |
| Tinted version that keeps depth | Whole logo, Custom | On | New hue with original light and dark areas |
| Dark-mode logo (only the dark text turns white) | One colour only | Off | Icon keeps its colours; text becomes white |
Recolouring changes the colour of visible pixels. If your file still has a white or coloured background, that background is recoloured too and you get a solid rectangle. Remove it first with the Background Remover, then recolour here.
When you replace a single colour, edge pixels are blends of that colour and the background. The default tolerance of 40 includes most of those blends so no faint outline of the old colour remains. Raise it if you still see a halo; lower it if a similar colour elsewhere in the logo is being changed by mistake.
Logos with overlapping shapes, text on coloured shapes or gradients merge into a single silhouette when made one colour. They need a “knockout” version where inner shapes are cut out — a quick job for a designer, but not something any automatic tool can invent. The white, black and one-colour logo guide shows how to spot this and what to ask for.
Preview the white version on the dark background and the black version on light. For a logo placed on a coloured section, test the colour pair in the Contrast Checker; 3:1 or higher keeps a graphic legible.